LMNO operates as a moving constellation—continuously recomposing itself through context, conversation, and the communities it moves with. Our practice spans exhibitions, micro-museums, and design pedagogies that foreground speculative narratives and somatic knowing. We engage with academic research not as a static archive but as a site of activation—drawing from theories of futuring to craft alternate tools of representation and dissemination. In each iteration, LMNO experiments with how stories can shift perception, restructure public imaginaries, and propose new grammars for living, thinking, and organizing otherwise.

We approach worldbuilding as a form of resistance, where narratives become architectures of dissent and desire. To us, worldbuilding is an experimental form—a porous, chimeric infrastructure in which our maximalist narratives often exceed their frames and become environments. It is a refusal to inherit the world as it is, and storytelling is our way of negotiating a world to come. Our work does not merely create narratives but cultivates narrative environments—discursive spaces where alternate imaginations can take flight, linger, and begin to cohere.